The 2020 Writing Conference of Los Angeles: May 2, 2020

laAfter a successful LA events in 2015 and 2019, Writing Day Workshops, with assistance from Coffee House Writers Group, is excited to announce The 2020 Writing Conference of Los Angeles — a full-day “How to Get Published” writing event in Culver City on Saturday, May 2, 2020.

This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited seats at the event (200 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2020 Writing Conference of Los Angeles!

WHAT IS IT?

This is a special one-day “How to Get Published” writing workshop on Saturday, May 2, 2020, at the DoubleTree by Hilton Hotel Los Angeles – Westside. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome.

This event is designed to squeeze as much into one day of learning as possible. You can ask any questions you like during the classes, and get your specific concerns addressed. We will have literary agents onsite to give feedback and take pitches from writers, as well. This year’s agent & editor faculty so far includes:

  • literary agent Samantha Bagood (Samantha B Literary)
  • literary agent Ken Sherman (Ken Sherman Associates)
  • literary agent Paul Levine (Paul Levine Literary)
  • literary agent Sherry Robb (The Robb Company)
  • literary agent Dana Newman (Dana Newman Literary)
  • literary agent Rachel Beck (Holloway Literary)
  • literary agent Anne Tibbets (D4EO Literary)
  • literary agent Nephele Tempest (The Knight Agency)
  • literary agent Steven Hutson (Wordwise Media Services)
  • and plenty more to come.

By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinator Kerrie Flanagan of Writing Day Workshops, with assistance from Coffee House Writers Group, a local writing group.

EVENT LOCATION & DETAILS:

9:30 a.m. – 5 p.m., Saturday, May 2, 2020 — at the Doubletree by Hilton Hotel Los Angeles – Westside, 6161 W Centinela Ave, Culver City, CA 90230. (310)649-1776.

Screen Shot 2018-11-17 at 6.01.35 PM.png

THIS YEAR’S SESSIONS & WORKSHOPS (MAY 2, 2020):

What you see below is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule page here.

Please Note: There will be 2-3 classes/workshops going at all times during the day, so you will have your choice of what class you attend at any time. The final schedule of topics is subject to change, but here is the current layout:

8:30 – 9:30: Check-in and registration at the event location.

BLOCK ONE: 9:30 – 10:30

COMING SOON

Screen Shot 2015-12-30 at 1.44.34 AMBLOCK TWO: 10:45 – 11:50

COMING SOON

(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)

LUNCH ON YOUR OWN: 11:50 – 1:15

Lunch is on your own during these 85 minutes.

BLOCK THREE: 1:15 – 2:30

1. “Writers Got Talent”—a Page 1 Critique Fest (Pacifica B), with participating literary agents and editors. In the vein of “American Idol” or “America’s Got Talent,” this is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission.

COMING SOON

BLOCK FOUR: 2:45 – 3:45

COMING SOON

(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)

BLOCK FIVE: 4:00 – 5:00

COMING SOON

SESSIONS END: 5:00

At 5 p.m., the day is done. Speakers will make themselves available by the workshop’s bookstore for a short while to sign any books for attendees.

Agent & Editor Pitching: All throughout the day.

————-

PITCH AGENTS AND EDITORS:

Screen Shot 2018-11-17 at 8.35.06 PM.pngDana Newman is a literary agent and the founder of Dana Newman Literary. She is seeking: “On the fiction side, we consider a very selective amount of literary fiction and women’s upmarket fiction. We look for character-driven stories written in a distinctive voice that are emotionally truthful. We are interested in practical nonfiction (business, health and wellness, psychology, parenting, technology) by authors with smart, unique perspectives and established platforms who are committed to actively marketing and promoting their books. We love compelling, inspiring narrative nonfiction in the areas of memoir, biography, history, pop culture, current affairs/women’s interest, social trends, and sports/fitness. A favorite genre is literary nonfiction: true stories, well told, that read like a novel you can’t put down.” Learn more about Dana here.

Screen Shot 2019-09-27 at 11.30.28 AMSamantha Bagood is a literary agent and founder of Samantha B. Literary. She specializes in books for all kinds of books for children — picture books, chapter books, middle grade, and young adult. (No adult fiction pitches of any kind please.) She enjoys out-of-the-box formats and styles done well, and would love to see more stories from an Asian-American perspective. Learn more about Samantha here.

Screen Shot 2015-05-28 at 9.45.56 AMKen Sherman is president of Ken Sherman & Associates, a Los Angeles based literary agency. He represents: many genres of fiction and categories of nonfiction. He is a generalist, and will listen to pitches for any type of book (except children’s picture books) as long as the writing is exceptional, and if the writer has a platform if pitching nonfiction. Learn more about Ken here.

Screen Shot 2019-09-27 at 1.37.27 PMPaul S. Levine is a literary agent and the founder of Paul S. Levine Literary. He is also an attorney. His fiction interests include adventure novels, mainstream fiction, mysteries, romance, thrillers, and women’s fiction. His nonfiction interests include business/commerce, pop culture, how-to, self-help, politics/law, relationships, and sports. Learn more about Paul here.

Screen Shot 2019-10-04 at 2.43.30 PM.pngSherry Robb is a literary agent and founder of The Robb Company. In her own words: “Book development and selling books to publishers has been my main focus my whole professional life. Over the years I have launched the publishing careers of over 300 writers. My main interests are: psychological thrillers/suspense, mysteries, science fiction, fantasy, and how-to nonfiction books (any subject if the writer is an expert in the field of her/his choice). Another, more subtle desire is to find novels that have a unique and/or quirky voice even if the story line is unusual — or a story we have heard but told in a different way.” Learn more about Sherry here.

Screen Shot 2018-12-04 at 9.14.49 PM.pngNephele Tempest is a literary agent with The Knight Agency. She is currently seeking works in the following genres: literary/commercial fiction, women’s fiction, fantasy, science fiction, romantic suspense, paranormal romance, contemporary romance, historical fiction, young adult and middle grade fiction. Learn more about Nephele here.

Screen Shot 2018-11-21 at 5.12.36 PM.pngAnne Tibbets is a literary agent with D4EO Literary. She is seeking: adult science fiction / dystopian, adult and young adult fantasy, adult innovative thrillers (historical a plus), and adult and young adult horror (Think early Stephen King mixed with Gillian Flynn). Learn more about Anne here.

Screen Shot 2019-10-11 at 4.47.29 PM.pngRachel Beck is a literary agent with Holloway Literary. Rachel is interested in representing: women’s fiction, contemporary romance with a humorous voice and subplots in addition to the romance, young adult (especially emotional/deep issue [even dark] stories [no historical, fantasy, paranormal, sci-fi or middle-grade please], psychological character-driven women’s suspense/thrillers, Southern fiction, and nonfiction (particularly memoir, true crime, and select health and self-help books [such as professional/career development]). Rachel is drawn to voice-driven fiction, particularly in young adult; quirky, three-dimensional, flawed characters, including and especially secondary characters; beautiful writing; dark themes; books that explore good people in morally complicated situations; and complex, detailed plots. Learn more about Rachel here.

Screen Shot 2018-12-06 at 8.27.37 PM.pngSteven Hutson is a literary agent and the founder of Wordwise Media Services. He is seeking: Steven is open to any genre except picture books, short stories, and poetry. That means he is seeking historical fiction, literary fiction, mainstream/upmarket fiction, thriller, suspense, crime, mystery, romance, young adult fiction, middle grade fiction, science fiction, women’s fiction, and fantasy. He also will take pitches for memoir. Get to know Steven here.

        More 2020 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open. You can pitch as many agents & editors as like you wish.

These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.

(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)

———

PRICING:

$189 — EARLY BIRD base price for registration to the 2020 WCLA and access to all workshops, all day. As of fall 2019, registration is now OPEN.

Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents or editors in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals, or securing 20 minutes to pitch one person rather than the usual 10. Here are four quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. (Our bigger, growing list of success stories can be seen here.)

Screen Shot 2018-11-26 at 11.11.29 AM.png“I met my client, Alison Hammer, at the 2017 Writing
Workshop of Chicago and just sold her book.”
– literary agent Joanna Mackenzie of Nelson Literary

Screen Shot 2017-05-02 at 11.47.54 PM.png“Good news! I signed a client [novelist Aliza Mann]
from the 2017 Michigan Writing Workshop!”
– literary agent Sara Mebigow of KT Literary

Screen Shot 2018-11-05 at 12.56.10 PM“I signed author Stephanie Wright from
the 2018 Seattle Writing Workshop.”
– literary agent Kathleen Ortiz of New Leaf Literary

Screen Shot 2018-05-17 at 9.07.44 PM“I signed an author [Kate Thompson] that I
met at the 2017 Philadelphia Writing Workshop.”
– literary agent Kimberly Brower of Brower Literary

Screen Shot 2016-10-16 at 2.54.50 PM.png“I signed novelist Kathleen McInnis after meeting her
at the 2016 Chesapeake Writing Workshop.”

– literary agent Adriann Ranta of Foundry Literary + Media

Add $69 — for an in-depth, personal critique of your one-page query letter from Chuck Sambuchino, one of the workshop’s former instructors. (This rate is a special event value for WCLA attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?

Add $89 — for an in-depth personal critique of the first 10 double-spaced pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees get an in-person meeting at the workshop. Options:

  • Forthcoming

How to pay/registerRegistration is now open.


To register by Google Forms, click on the link below to fill out the form. Once you submit the form and let us know everything you want at the conference, you will get instructions on how to pay by PayPal or check.

http://bit.ly/LARegistrationForm

Once the Google form is complete and payment is made (either check or PayPal), you will have reserved a seat at the event.

If you have any issues with the Google form, or would simply rather talk with someone via email, just reach out to workshop organizer Kerrie Flanagan via email: WDWfaculty@gmail.com. She can pass along registration information to you, and give instructions on how to pay by PayPal or check. Once payment is complete, you will have a reserved seat at the event. The Writing Conference of Los Angeles will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Kerrie plans different workshops, if you email her, make sure you note that you’re inquiring about the Los Angeles workshop specifically.

REGISTRATION:

Because of limited space at the DoubleTree by Hilton Hotel Los Angeles – Westside, the workshop can only allow 200 registrants, unless spacing issues change. For this reason, we encourage you to book sooner rather than later.

Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.

How to Register: Registration is now open.


To register by Google Forms, click on the link below to fill out the form. Once you submit the form and let us know everything you want at the conference, you will get instructions on how to pay by PayPal or check.

http://bit.ly/LARegistrationForm

Once the Google form is complete and payment is made (either check or PayPal), you will have reserved a seat at the event.

If you have any issues with the Google form, or would simply rather talk with someone via email, just reach out to workshop organizer Kerrie Flanagan via email: WDWfaculty@gmail.com. She can pass along registration information to you, and give instructions on how to pay by PayPal or check. Once payment is complete, you will have a reserved seat at the event. The Writing Conference of Los Angeles will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Kerrie plans different workshops, if you email her, make sure you note that you’re inquiring about the Los Angeles workshop specifically.

Refunds: If you sign up for the event and have to cancel for any reason at any time, you will receive 50% of your total payment back [sent by check or PayPal]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments and manuscript editing payments are completely non-refundable if the instructor has already edited your work.)

Screen Shot 2016-11-16 at 10.43.05 AM.png

 

 

Advertisements

Get to Know an Agent in Attendance: Rachel Beck of Holloway Literary

Screen Shot 2018-11-18 at 3.21.51 PM.pngRachel Beck is a literary agent with Holloway Literary.

Rachel is interested in representing:

  • Women’s fiction, especially upmarket/book club fiction, such as Emily Giffin, Liane Moriarty and Diane Chamberlain
  • Contemporary romance with a humorous voice and subplots in addition to the romance, such as Kristan Higgins
  • Young adult, especially emotional/deep issue (even dark) stories (no historical, fantasy, paranormal, sci-fi or middle-grade please), such as Jandy Nelson and Courtney Summers
  • Psychological, character-driven women’s suspense/thrillers, such as Gillian Flynn, Paula Hawkins and Mary Kubica
  • Southern fiction, such as Elaine Hussey
  • Nonfiction — particularly memoir, true crime, and select health and self-help books (such as professional/career development).

Rachel Beck has been in the publishing industry since 2009. After completing an internship with two literary agencies, reading mostly young adult and thrillers, she then worked as an editor for Harlequin, acquiring category romance, contemporary romance, multicultural romance and women’s fiction.

Rachel’s career highlights include helping her authors achieve prestigious romance book nominations and two selective awards, including the National Readers Choice Award, and several top reviews in Romantic Times magazine for her books.

In her free time, Rachel likes reading first and foremost–mostly women’s fiction, psychological suspense and young adult–as well as traveling with her husband, spoiling her cat, Ginnie, and watching football (go Steelers!).

Rachel is drawn to voice-driven fiction, particularly in young adult; quirky, three-dimensional, flawed characters, including and especially secondary characters; beautiful writing; dark themes; books that explore good people in morally complicated situations; and complex, detailed plots.

Rachel is NOT interested in:

no children’s/picture books
no middle grade
no science fiction/fantasy
no romantic suspense
no action-driven suspense (prefer character/psychological-driven)
no heavily faith-based/inspirational material

Get to Know an Agent in Attendance: Sherry Robb of The Robb Company

Screen Shot 2019-10-04 at 2.43.30 PM.pngSherry Robb is a literary agent and founder of The Robb Company.

In her own words: “Book development and selling books to publishers has been my main focus my whole professional life. Over the years I have launched the publishing careers of over 300 writers.”

“My main interests are: psychological thrillers/suspense, mysteries, science fiction, fantasy, and how-to nonfiction books (any subject if the writer is an expert in the field of her/his choice). Another, more subtle desire is to find novels that have a unique and/or quirky voice even if the story line is unusual — or a story we have heard but told in a different way.”

Get to Know an Agent in Attendance: Paul S. Levine of Paul S. Levine Literary

Screen Shot 2019-09-27 at 1.36.26 PM.pngPaul S. Levine is a literary agent and the founder of Paul S. Levine Literary. He is also an attorney.

His fiction interests include adventure novels, mainstream fiction, mysteries, romance, thrillers, and women’s fiction.

His nonfiction interests include business/commerce, pop culture, how-to, self-help, politics/law, relationships, and sports.

Paul has sold more than 250 fiction and nonfiction books.

As an entertainment lawyer, Levine has written the legal contracts for several books adapted as movies-for-television. With over thirty-seven (38) years of experience in the entertainment and book industries, Levine is one of the few lawyers on the West coast who also understands the world of book publishing; as such, he is able to act as both literary agent and publishing attorney for his clients.

Get to Know an Agent in Attendance: Samantha Bagood of Samantha B. Literary

Screen Shot 2019-09-27 at 11.30.28 AMSamantha Bagood is a literary agent and founder of Samantha B. Literary.

She specializes in books for all kinds of books for children — picture books, chapter books, middle grade, and young adult. (No adult fiction pitches of any kind please.) She enjoys out-of-the-box formats and styles done well, and would love to see more stories from an Asian-American perspective.

Samantha believes in being an ardent business partner and creative advocate for visionary authors and artists. She is also personally passionate about growing the imagination of young readers everywhere and boosting the voices of marginalized creators. Her career began at Adams Literary in 2012. Before then, Samantha was a book reviewer and freelance writer and designer.

In 2017, after a cross country move to southern California, she left to start her own agency, Samantha B. Literary.

Get to Know an Agent in Attendance: Ken Sherman of Ken Sherman and Associates

Screen Shot 2015-05-28 at 9.45.56 AMKen Sherman is President of Ken Sherman & Associates, a Los Angeles based literary agency. The company was established in 1989, and handles film, television, and book writers, as well as selling film and television rights for books and life-rights.

He represents: many genres of fiction and categories of nonfiction. He is a generalist, and will listen to pitches for any type of book (except children’s picture books) as long as the writing is exceptional, and if the writer has a platform if pitching nonfiction.

An agent for more than twenty years, Ken is also a popular and accomplished speaker, having taught and lectured extensively at venues including UCLA, USC, Loyola Marymount University, both in New Orleans and Los Angeles, The Santa Barbara Writers’ conference, the American Film Institute, The San Francisco Writers Conference, The Maui Writers Conference, The University of Oklahoma, Sherwood Oaks Experiment College, The Santa Fe Writers Conference, The Novelists, Inc. Conference in San Diego, The Aspen Institute, the Aspen Summers Words Writers Conference and The Eugene International Film Festival where he just received a lifetime achievement award.

Since graduating from the University of California-Berkeley with a major in psychology, Ken has returned numerous times to the classroom to teach his course, “The Business of Writing for Screen, Television and the Publishing Worlds,” at both USC and UCLA. He also co-taught a screenwriting class for many years at the Eugene International Film Festival.

Ken maintains strong community involvement as well, serving as an Arts and Cultural Affairs Commissioner for the City of West Hollywood, is a founding member of the British Academy of Film and Television/Los Angeles (BAFTA), and is a member of both the Academy of Television Arts and Science and the International Advisory Board of the Christopher Isherwood Foundation.