The 2015 Writing Conference of Los Angeles is now over. It was a great event and we look forward to hosting another workshop in SoCal in the future. If you would like to be kept on an email list to be notified of future area events, please simply contact us to say so: writingdayworkshops [at] gmail.com. Thanks!
The staff behind the organization and instruction of the Homeric Writers’ Retreat & Workshop are excited to announce The Writing Conference of Los Angeles — a full-day “How to Get Published” writing event in Culver City on Saturday, October 10, 2015.
This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited seats at the event (100 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2015 Writing Conference of Los Angeles!
(If you live closer to San Diego than Los Angeles, note that there is also a nearly identical workshop in San Diego the day before on Friday, October 9, 2015.)
WHAT IS IT?
This is a special one-day “How to Get Published” writing workshop on Saturday, Oct. 10, 2015, at the Four Points Sheraton in Culver City, CA. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome.
This event is designed to squeeze as much into one day of learning as possible. You can ask any questions you like during the classes, and get your specific concerns addressed. We will have literary agents onsite to give feedback and take pitches from writers, as well. This year’s ever-growing faculty so far includes literary agent Paul S. Levine (Paul S. Levine Literary); literary agent Nephele Tempest (The Knight Agency); literary agent Sara Sciuto (Fuse Literary); literary agent Patricia Nelson (Marsal Lyon Literary); literary agent Ken Sherman (Ken Sherman & Associates); literary agent Valerie Noble (Donaghy Literary); literary agent Megan Close (Keller Media); and literary agent Eve Porinchak (Jill Corcoran Literary).
By the end of the day, you will have all the tools you need to move forward on your writing journey.
THIS YEAR’S PRESENTER/INSTRUCTOR
Chuck Sambuchino (chucksambuchino.com, @chucksambuchino) of Writer’s Digest Books is the editor of Guide to Literary Agents as well as the Children’s Writer’s & Illustrator’s Market. His authored books include Formatting & Submitting Your Manuscript; Create Your Writer Platform, which was praised by Forbes.com; and How to Survive a Garden Gnome Attack, which was optioned for film by Sony. He oversees one of the biggest blogs in publishing (the Guide to Literary Agents Blog) as well as one of the biggest Twitter accounts in publishing (@WritersDigest). He is a freelance editor who has seen dozens of his clients get agents and/or book deals, and he has presented at 120 writing conferences and events over the past ten years.
EVENT LOCATION & DETAILS
9:30 a.m. – 5 p.m., Saturday, October 10, 2015, at the Four Points Sheraton Los Angeles Westside, 5990 Green Valley Cir, Culver City, CA 90230. (310)641-7740. Click on this image to see its location on a map:
WORKSHOP SCHEDULE (OCT. 10, 2015)
9 – 9:30: Check-in and registration at the event location.
9:30 – 10:30: “Your Publishing Options Today.” This workshop examines the two largest routes any writer can take with their book: traditional publishing and self-publishing (e-publishing). We will examine the upsides of both routes, the downsides, and the next steps no matter what you decide. In today’s publishing world, a writer has to understand what they’re in for before they send their book out. This session is designed to prepare them for what’s to come and what options exist.
10:30 – 11:45: “Everything You Need to Know About Agents, Queries & Pitching.” This workshop is a thorough crash course in dealing with literary agents. After quickly going over what an agent is and what they do for writers, we will discuss resources for finding agents, how to ID the best agents for you, query letter writing, as well as the most important things to do and not to do when dealing with representatives.
11:45 – 1:15: Lunch on your own. There are several restaurants within quick driving distance. A map of places to eat will be passed out prior to the event.
1:15 – 2:30: “Writers’ Got Talent: A Chapter One Critique-Fest.” In the vein of American Idol or America’s Got Talent, this is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission. Get expert feedback on your incredibly important first page, and know if your writing has what it needs to keep readers’ attention. (All attendees are welcome to bring pages to the event for this session, and we will choose pages at random for the workshop for as long as time lasts.)
2:30 – 3:45: “How to Market Yourself and Your Books: Author Platform & Social Media Explained.” A writer’s platform is as important as ever now. Visibility and ability to self-market are mandatory these days for writers of nonfiction and self-published works. Furthermore, fiction writers want a platform to sell more books, meet readers, and increase their value. This speech teaches writers the basics of what a platform is and why it is necessary. Then we delve into the building blocks of what can constitute a platform, from media appearances and speaking engagements to blogs, Facebook, Twitter and more.
3:45 – 5:00: “How to Get Published: 10 Professional Writing Practices That You Need to Know NOW to Find Success as a Writer.” This final speech is a general presentation examining good writing practices that all editors appreciate—whether writing for books, magazines, newspapers or online. It discusses how to not put all your eggs in one writing basket, how to steal ideas from yourself to generate more stories and books, how to avoid the two most common reasons agents reject you, and much more.
All throughout the day: Agent & Editor Pitching.
PITCH AN AGENT!
Paul S. Levine is the founder of Paul S. Levine Literary and an attorney. His fiction areas of interest include adventure, children/juvenile, middle grade, young adult, mainstream, mystery, politics/law, romance, thrillers, and women’s fiction. His nonfiction areas of interest include business/commerce, children’s, contemporary, popular culture, how-to, self-help, politics/law, relationships, and sports. Learn more about Paul here.
Ken Sherman [SOLD OUT OF PITCH APPOINTMENTS] is a literary agent and the founder of Ken Sherman & Associates. The company was established in 1989, and handles film, television, and book writers, as well as selling film and television rights for books and life-rights. He represents many genres of fiction and categories of nonfiction. He is a generalist, and will listen to pitches for any type of book (except picture books) as long as the writing is exceptional and the writer has a platform if pitching nonfiction. Learn more about Ken here.
Nephele Tempest, [SOLD OUT OF PITCH APPOINTMENTS] a literary agent, joined The Knight Agency in 2005 and continues to actively build her client list. She is currently seeking works in the following genres: literary/commercial fiction, women’s fiction, fantasy, science fiction, romantic suspense, paranormal romance, contemporary romance, historical fiction, young adult and middle grade fiction. Learn more about Nephele here.
Sara Sciuto [SOLD OUT OF PITCH APPOINTMENTS] is a literary agent with Fuse Literary. Sara is actively building her list with a focus on middle grade and young adult fiction; in particular, contemporary, historical, gothic/thriller/horror, sci-fi, mystery/suspense, fantasy and other speculative fiction. Sara is also looking for standout picture books, especially those with a quirky or humorous narrative; and welcomes author/illustrators, as well as conceptual or art-driven projects. She’s also considering select adult nonfiction in the areas of craft, design, how-to, lifestyle, and pop culture. For children’s nonfiction, she’s open to a wider range of both narrative and prescriptive projects. Currently, she is not considering any adult fiction (all genres). Learn more about Sara here.
Patricia Nelson [SOLD OUT OF PITCH APPOINTMENTS] is actively building her client list at Marsal Lyon Literary Agency. Patricia represents adult and young adult fiction, and is actively looking to build her list. She is a fiction generalist, and will take pitches on the whole gamut of literary and commercial adult fiction. On the adult side, she is particularly interested in literary fiction and commercial fiction in the new adult, women’s fiction, and romance genres. For young adult, she is looking for contemporary/realistic fiction as well YA mystery/thriller, horror, magical realism, science fiction and fantasy. She is also interested in finding exciting multicultural and LGBTQ fiction, both YA and adult. Learn more about Patricia here.
Valerie Noble is a literary agent with Donaghy Literary who is actively building her client list. She loves science fiction and fantasy (think Kristin Cashore and Suzanne Collins) but reads everything under the sun. For her, it’s more about the writing and less about the genre. In saying that, Valerie is generally not interested in romance or paranormal. She is seeking young adult and new adult in the following areas: science fiction, fantasy, historical fantasy, and historical fiction. Learn more about Valerie here.
Eve Porinchak [SOLD OUT OF PITCH APPOINTMENTS] is a literary agent with Jill Corcoran Literary. She has eclectic literary tastes and is open to everything from picture books to adult novels. Specifically looking for edgy, psychological thrillers, gang-lit, realistic contemporary. Some of Eve’s favorite books are: True Notebooks by Mark Salzman, Monster by Walter Dean Myers, Gone Girl by Gillian Flynn, and You Shall Know Our Velocity by Dave Eggers. Eve is not a fan of high fantasy; however, she loves the Hunger Games series as well as science fiction. Also a huge fan of true crime, and loved NPR’s SERIAL. If your story reads like a Tuesday night episode of “Dateline,” then she wants to meet you at the conference. Learn more about Eve here.
Megan Close is a literary agent at Keller Media. She specializes in nonfiction in the areas of General Nonfiction, Self-Help, Relationships, Pop Culture, Pop Psychology, Management, Career, and Entrepreneurship. For fiction pitches, she seeks Literary Fiction (especially literary Mystery/Suspense). Learn more about Megan here.
These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.
(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)
$149 — FINAL registration pricing! This is the complete base price for registration to the 2015 WCLA and access to all workshops, all day.
Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals, or securing 20 minutes to pitch one person rather than the usual 10.
Add $59 — for an in-depth, personal critique of your one-page query letter from instructor Chuck Sambuchino. (This rate is a special event value for the Writing Conference of Los Angeles attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?
How to pay/register — Registration is now open. Reach out to workshop organizer Jessica Bell via email: email@example.com, and she will provide specific instructions for payment and registration to get you a reserved seat at the event. Payment is by either PayPal or check. Because Jessica plans different workshops, make sure you note that you’re inquiring about the Los Angeles workshop specifically.
Because of limited space at the venue of the Four Points Sheraton, the workshop can only allow 100 registrants, unless spacing issues change. For this reason, we encourage you to book sooner rather than later.
Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.
How to Register: The easy first step is simply to reach out to workshop organizer Jessica Bell via email: firstname.lastname@example.org. She will pass along registration information to you, and give instructions on how to pay by PayPal or check. Once payment is complete, you will have a reserved seat at the event. The WCLA will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Jessica plans different workshops, make sure you note that you’re inquiring about the Los Angeles workshop specifically.
Refunds: If you sign up for the event and have to cancel for any reason, you will receive 50% of your total payment back [sent by check or PayPal]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments are completely non-refundable if the instructor has already edited your letter.)