Add $69 — for an in-depth, personal critique of your one-page query letter from Chuck Sambuchino, one of the day’s instructors. (This rate is a special event value for Writing Conference of Los Angeles attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?

Add $89 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees will either 1) get an in-person meeting at the workshop, if the faculty member is attending the live event, or 2) get a 10-minute phone call with the faculty member, and have notes passed along via email, if the critiquer is not attending the live event. Options:

• Psychological thrillers, horror, mysteries, suspense, general contemporary adult fiction; and lastly some romance and women’s fiction (in-person critiques): Faculty member S.Z. Estavillo, a writing coach and former literary agent, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you at the event to discuss her thoughts, and pass along written critique notes during or after the in-person meeting. 
• Thriller, suspense, mystery, science fiction, fantasy, spiritual writing (virtual): Faculty member James Rubart, an author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting. 
• Children’s picture books and middle grade (virtual): Faculty member Brittany Thurman, a published author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting. If you submit a picture book, it must be 1,000 words or fewer (can have illustrations or not).
• Children’s picture books, middle grade, young adult, memoir, historical fiction, general fiction of almost any kind (in-person critiques): Faculty member Eve Porinchak, a former agent turned publishing coach, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting. Children’s picture books should be 1,000 words maximum, and can or cannot have illustrations.
• Literary fiction, general fiction, women’s fiction, science fiction, fantasy, speculative fiction, mystery, thriller, historical fiction, memoir, young adult, middle grade, and children’s picture books (virtual): Faculty member Laura Biagi, a writing coach and former agent, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting. For children’s picture books, projects should be 1,000 words maximum, and can or cannot include illustrations.

How to pay/register — Registration is now open. Reach out to workshop organizer Brian Klems via email: WritingDayWorkshops@gmail.com, and she will provide specific instructions for payment and registration to get you a reserved seat at the event. Payment is by either PayPal or check. Because Brian plans different workshops, make sure you note that you’re inquiring about the Los Angeles workshop specifically.