Get to Know an Agent in Attendance: Kianna Shore of Ladderbird Literary

Screen Shot 2020-01-18 at 11.24.53 PMKianna Shore is a literary agent with Ladderbird Literary.

​Born in South Korea and adopted to a Jewish family in Texas, Kianna actively seeks out stories with their #ownvoices. Bi-romantic, she is an advocate for queer stories. With a passion for learning about the world and telling diverse narratives, Kianna is a recent graduate from UCLA’s MFA Screenwriting program and Boston University’s School of Global Studies. When she’s not reading manuscripts or working with authors, Kianna can be found writing, learning languages, or running.

She is seeking:

Kianna wants prose that reads like poetry. Create characters that are super flawed and awful or a precious cinnamon roll that must be protected — but make me care. Make me fall in love with them and then break my heart. Introduce me to unforgettable worlds. Super intersectional? I’m your girl. Fantasy inspired by non-western cultures? Yes!

Fantasy starring a character with a disability? For sure. YA historical with a queer BIPOC lead? Send it my way. I want to champion underrepresented writers who write their #ownvoices. Right now I am actively looking for YA, but will consider well written MG and NA that follow the same guidelines listed below.

YA Contemporary: I’d love to see protagonists, family and friends, and circumstances that we haven’t seen before. Give me an enticing plot that betrays expectation and characters that subvert stereotypes. Settings that are super specific to your neck of the woods or abroad are welcomed!

YA Crime and Thrillers: I love twists and turns I don’t see coming (that will be hard-but try me!). Give me young women that are in control of their own destinies – and law breaking is how they’re going to do it. Confident characters that have the swagger of your average villain — who aren’t the average villain.

YA Fantasy: Let’s see some non-European based fantasy! I am better versed in East Asian culture and mythology, but will work with anyone. Make me fall in love with the world and the people in it. Although spectacular, submitted fantasies should have well-developed characters and a strong plot. Think Avatar the Last Airbender, Fullmetal Alchemist, or She-Ra. Keep me engaged, keep me on my toes. Keep me reading.

YA Historical: Queer and marginalized people have existed throughout the ages – but you wouldn’t believe it looking at many bookshelves today! Make the setting POP and transport me to another time period, another world. Not looking for white savior stories! Give me characters that are in charge of their own futures.

YA Science Fiction: I’d love to see some great science fiction that is science POSITIVE. No more technology is evil stories! There is enough of that! Fiction that re-learns how to navigate and prioritize technology or stories that show that science is not without bias is great. Looking for work that is character driven and with heart!

Get to Know an Agent in Attendance: Tara Gilbert of Corvisiero Literary

Screen Shot 2019-03-30 at 2.52.20 PMTara Gilbert is a jr. literary agent with Corvisiero Agency. At the 2020 LA conference, she is taking pitches on behalf of herself as well as co-agents.

Tara wants nothing more than to live and breathe literature. While every other girl grew up wanting to be Cinderella, Tara dreamed about being Belle. Not because she wanted a Beast to call her own. No. She wanted to spend her days with her nose stuck in a book and to find a home with a gigantic library.

Personally, she is seeking all kinds of young adult and middle grade, adult sci-fi, adult fantasy, graphic novels, and romance. On behalf of co-agents, she will take pitches for historical novels, women’s fiction, mainstream/general fiction, and children’s picture books.

When Tara isn’t reading for pleasure, writing, critiquing manuscripts for her CPs, or interning; she is a full-time recruiter and part-time student trying to get her Bachelors in English. She is happily married with four fur-babies in Portland, Oregon.

Get to Know a Literary Scout in Attendance: Rae Loverde of Donald Maass Literary Agency

Screen Shot 2019-02-24 at 6.06.26 PM.pngRae Loverde is an agent assistant at Donald Maass Literary Agency.

At the 2020 LA event, she will be acting as a literary scout — taking pitches at the workshop on behalf of her co-agents.

Her co-agent Kiana Nguyen is seeking the following:

  • contemporary romances like Alisha Rai and Alyssa Cole
  • adult sci-fi that feels like “Black Mirror”
  • psychological thrillers
  • In YA, she’s looking for thrillers and contemporary that’s queer, POC, or features a mystery.
  • In all categories except romance, the darker, the better.

Her co-agent Caitlin McDonald is seeking the following:

  • All science fiction & fantasy fiction for adult, YA, and MG, especially secondary world fantasy and alternate history
  • Genre-bending or cross-genre fiction, and stories that examine tropes from a new angle
  • Diversity of all kinds, including (but not limited to) race, gender, sexuality, and ability, in both characters and worldbuilding

Get to Know a Literary Agent in Attendance: Jemiscoe Chambers-Black of Corvisiero Literary

Screen Shot 2019-12-11 at 7.58.14 PMJemiscoe Chambers-Black is a jr. literary agent at Corvisiero Literary.

She is seeking: mainstream fiction, women’s fiction, romance in all genres (especially in contemporary and fantasy), thriller, crime, fantasy, middle grade, young adult, and literary fiction.

Jemiscoe cannot say that reading and writing came naturally. Rather, those interests were inspired by pizza. At seven, her school offered free Pizza Hut and Shakey’s Pizza coupons as rewards for reading books, and she was sold. Eventually, the books held more interest than the pizza ever did. And so began Jemiscoe’s love of imaginary worlds filled with interesting characters.

After working more than a decade as an Assistant Director for film and television, Jemiscoe ultimately returned to school to pursue her love of reading and writing. She holds a B.A. in English and Creative Writing, and an MFA in Fiction. Also, several of her short stories are published in literary journals and magazines.

Before joining the Corvisiero team, Jemiscoe was an assistant editor for the web content of the Assignment Magazine and a deputy editor for Odyssey. Jemiscoe is also a freelance editor, copyeditor, and beta reader, helping writers create emotionally resonant work. And when she is not reading, writing, or editing, she is usually spending quality time with her husband, Shane, and three kids, Wolf, Hok, and Phoenix.

 

4 Great California Writers Conferences Happening in 2020

Writing Day Workshops is excited to announce four writers conferences happening in California in 2020. Read on to learn more.

These one-day conferences are a chance to get expert writing instruction, and also (optional) pitch your book to attending agents and editors who are seeking new writers now. Thank you for considering the events, and see our complete list of success stories here, where agents have signed attendees from the conferences.

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1. Writers Conference of Los Angeles

Saturday, May 2, 2020

https://writingconferenceoflosangeles.com/

Attending literary agents and editors: Kianna Shore (Ladderbird Literary), literary agent Melanie Castillo (Root Literary), Samantha Bagood (Samantha B Literary), Rachael Dillon Fried (Sanford J. Greenburger Associates), Susan Finesman (Fine Literary), Paul Levine (Paul Levine Literary), Sherry Robb (The Robb Company)
literary agent Dana Newman (Dana Newman Literary), Rachel Beck (Liza Dawson Associates), Anne Tibbets (D4EO Literary), Nephele Tempest (The Knight Agency), Tara Gilbert (Corvisiero Literary), Steven Hutson (Wordwise Media Services), Jemiscoe Chambers-Black (Corvisiero Literary), Rae Loverde (Donald Maass Literary Agency), and possibly more to come.

2. San Diego Writing Workshop

Saturday, May 9, 2020

http://sandiegowritingworkshop.com/

Attending literary agents and editors: Carlie Webber (Fuse Literary), Greg Johnson, (Wordserve Literary), Katherine Wessbecher (Bradford Literary Agency), Jemiscoe Chambers-Black (Corvisiero Literary), Courtney Miller-Callihan (Handspun Literary), Jill Marr (Sandra Dijsktra Literary Agency), Rachel Beck (Liza Dawson Associates), Samantha Bagood (Samantha B Literary), Tara Gilbert (Corvisiero Literary), Annie Bomke (Annie Bomke Literary), Elise Capron (Sandra Dijsktra Literary Agency), Ben Miller-Callihan (Handspun Literary), and possibly more to come.

3. Sacramento Writing Workshop

Friday, October 2, 2020

http://sacramentowritingworkshop.com/

Attending literary agents and editors: Matt Wagner (Fresh Books, Inc.), Karly Caserza (Fuse Literary), Jennifer Chen Tran (Bradford Literary), and more to come.

4. Writing Workshop of San Francisco

Saturday, October 3, 2020

http://writingworkshopsanfrancisco.com/

Attending literary agents and editors: Rachel Kent (Books & Such), Laurie McLean (Fuse Literary), Michel Crim (Miller Bowers Griffin Literary Management), Michael Carr (Veritas Literary), Em Lysaght (Ladderbird Literary), Emma Sector (Prospect Agency),  Lisa Abellera (Kimberley Cameron Literary), Jennifer March Soloway (Andrea Brown Literary), and a few more to come.

 

Get to Know an Agent in Attendance: Nephele Tempest of The Knight Agency

Screen Shot 2018-12-04 at 9.14.49 PM.pngNephele Tempest is a literary agent with The Knight Agency.

She is currently seeking works in the following genres: literary/commercial fiction, women’s fiction, fantasy, science fiction, romantic suspense, paranormal romance, contemporary romance, historical fiction, young adult and middle grade fiction.

Nephele joined The Knight Agency in January, 2005, opening the Los Angeles-area office. As an agent, she works with a number of talented writers, assisting them to hone their skills and build their careers. Nephele comes from a diverse publishing and finance background, having previously worked on the editorial side of the business, as well as for several major New York investment firms as a financial advisor and later a financial marketing and communications writer. Her previous experience provided her with insight into multiple aspects of the publishing industry.

Nephele is a member of Romance Writers of America.

Get to Know an Agent in Attendance: Dana Newman of Dana Newman Literary

Screen Shot 2018-11-17 at 8.34.12 PM.pngDana Newman is a literary agent and the founder of Dana Newman Literary.

She is seeking: “On the fiction side, we consider a very selective amount of literary fiction and women’s upmarket fiction. We look for character-driven stories written in a distinctive voice that are emotionally truthful.

“We are interested in practical nonfiction (business, health and wellness, psychology, parenting, technology) by authors with smart, unique perspectives and established platforms who are committed to actively marketing and promoting their books.

“We love compelling, inspiring narrative nonfiction in the areas of memoir, biography, history, pop culture, current affairs/women’s interest, social trends, and sports/fitness. A favorite genre is literary nonfiction: true stories, well told, that read like a novel you can’t put down.”

Dana Newman Literary was founded by Dana Newman in 2010. Prior to becoming a literary agent, she worked for 14 years as General Counsel for Moviola and its affiliates, Paskal Lighting and Magnasync Corporation. With years of experience working in the entertainment and communications technology industries during the digital revolution in film editing and audio recording, Dana enthusiastically embraces new technologies and ideas about how books will be created, distributed and experienced. Dana combines her professional insight, educational background (B.A. in Comparative Literature from U.C. Berkeley, J.D. from University of San Francisco), and a lifelong love of reading to her role as a literary agent. She regularly attends writers’ conferences and speaks frequently on legal issues for authors (including publishing contracts, collaboration agreements, and copyright). Dana Newman Literary works with Judy Klein of Kleinworks Agency on handling clients’ foreign rights sales. She works as a co-agent with Phyllis Parsons of The Parsons Company, Inc. in connection with speakers and film/TV rights.

In addition to her work as a literary agent, Dana is also Of Counsel at Raines Feldman LLP, where she focuses on business and legal advising, negotiating and drafting contracts, intellectual property (copyrights and trademarks), licensing and publishing law. She has extensive experience with publishing and literary agency agreements, and also does pre-publication legal review of manuscripts. Her specialty is helping creative entrepreneurs and authors achieve their goals, and she’s represented a wide variety of clients in entertainment, media and business. She wrote “Copyright Grants: as Powerful as Kryptonite?” published in the Los Angeles Daily Journal, and co-authored the chapter on Technology and Intellectual Property Rights in the book Emerging Companies Guide: A Resource for Professionals and Entrepreneurs, Second Edition (American Bar Association 2011).

Dana is a member of the Association of Authors’ Representatives and the California State Bar.

Get to Know an Agent in Attendance: Steve Hutson of Wordwise Media Services

Screen Shot 2018-12-06 at 8.27.37 PM.pngSteven Hutson is a literary agent and the founder of Wordwise Media Services.

He is seeking: Steven is open to any genre except picture books, short stories, and poetry. That means he is seeking historical fiction, literary fiction, mainstream/upmarket fiction, thriller, suspense, crime, mystery, romance, young adult fiction, middle grade fiction, science fiction, women’s fiction, and fantasy. He also will take pitches for memoir.

Steven is a native of Los Angeles, a child of the sixties, and a storyteller almost from birth. After several years of freelance editing and directing a writers’ conference, he branched out as a literary agent in early 2011.

He has placed his clients’ works with Dutton, HarperCollins, Tyndale, David C. Cook, Hachette, Writer’s Digest Books, Harlequin, and others.

Steve lives in the High Desert of Southern California with his wife, Ruth.

Get to Know an Agent in Attendance: Anne Tibbets of D4EO Literary.

Screen Shot 2020-01-08 at 12.09.04 PMAnne Tibbets is a literary agent with D4EO Literary.

She is seeking:

  • Adult and Young Adult Science Fiction: “Give me your dystopia, your utopia, your bloody, bomb-ridden, and gun-blazing shoot ‘em ups with hearts of gold and threads of hope. Earth bound or in space. Bring on your new planets and aliens of all sorts. I’m not afraid of grit, but I do detest sexism. Blow my socks off.”
  • Adult and Young Adult Fantasy: “Give me your twist on magic; urban, high fantasy, or magical realism. Give me a unique location and a surprising hero, and I will be your greatest champion. Bonus points if female driven.”
  • Adult and Young Adult Thrillers: “Innovative thrillers only. Can’t stress this enough. ‘Just say no’ to alcoholic detectives investigating dead girls. Give me something fresh and well researched.”
  • Adult and Young Adult Mysteries: “Cozy or Domestic preferred, but the occasional procedural is also wanted, if it’s innovative and fresh from what’s already out there.”
  • Adult and Young Adult Horror: “Think early Stephen King mixed with Gillian Flynn. Literary-esque and fraught with anticipation.”
    Adult and Young Adult Historical: “Any time period except WW2. No redemptive Nazi stories.”
  • Adult and Young Adult Romance: “Interesting locations and any time period. I hate “Alpha” or macho jerks and the women who save them tropes. Rape is never sexy. Anything else goes.”

Anne is the author of multiple science fiction novels and a former screenwriter. In her free time, Anne watches television, reads, games, and participates in a myriad of “Old Lady” hobbies. She can be found on Twitter @AnneTibbets.

 

 

Tips For Pitching Your Book at the 2020 Writing Conference of Los Angeles

If you are coming to the 2020 Writing Conference of Los Angeles (May 2, 2020), you may be thinking about pitching our agent-in-attendance or editor-in-attendance. An in-person pitch is an excellent way to get an agent excited about both you and your work. Here are some tips (from previous instructor Chuck Sambuchino) that will help you pitch your work effectively at the event during a 10-minute consultation. Chuck advises that you should:

  • Try to keep your pitch to 90 seconds. Keeping your pitch concise and short is beneficial because 1) it shows you are in command of the story and what your book is about; and 2) it allows plenty of time for back-and-forth discussion between you and the agent. Note: If you’re writing nonfiction, and therefore have to speak plenty about yourself and your platform, then your pitch can certainly run longer.
  • Practice before you get to the event. Say your pitch out loud, and even try it out on fellow writers. Feedback from peers will help you figure out if your pitch is confusing, or missing critical elements. Remember to focus on what makes your story unique. Mystery novels, for example, all follow a similar formula — so the elements that make yours unique and interesting will need to shine during the pitch to make your book stand out.
  • Do not give away the ending. If you pick up a DVD for Die Hard, does it say “John McClane wins at the end”? No. Because if it did, you wouldn’t buy the movie. Pitches are designed to leave the ending unanswered, much like the back of any DVD box you read.
  • Have some questions ready. 10 minutes is plenty of time to pitch and discuss your book, so there is a good chance you will be done pitching early. At that point, you are free to ask the agent questions about writing, publishing or craft. The meeting is both a pitch session and a consultation, so feel free to ask whatever you like as long as it pertains to writing.
  • Remember to hit the big beats of a pitch. Everyone’s pitch will be different, but the main elements to hit are 1) introducing the main character(s) and telling us about them, 2) saying what goes wrong that sets the story into motion, 3) explaining how the main character sets off to make things right and solve the problem, 4) explaining the stakes — i.e., what happens if the main character fails, and 5) ending with an unclear wrap-up.